![]() Savvy color grading helps, but a static tripod shot in the middle of a shaky handheld sequence often sticks out like a sore thumb.Īnother way to make them look more consistent is to add camera shake in post. ![]() ![]() Ok, this might not be a universal experience, but if you’ve ever had to work with stock footage or archival clips, you know it can be tough to make everything look consistent. Does that locked-off clip clash with the handheld footage next to it? But right before you export, a pang of doubt makes you pause. From hundreds of archival clips, you’ve gathered the essential ore and forged it together.Īfter careful honing and polishing, your sequence is now practically a katana of visual storytelling. You’ve locked your picture and mixed your audio. We’ve all been there: after days of work in the editing bay, your project is nearly perfect.
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